Kenneth Paul Tan, PhD (Cambridge)
Talent100 Professor of Politics, Film, and Cultural Studies
School of Communication and Film
Hong Kong Baptist University

Kenneth Paul TAN is a tenured Professor of Politics, Film, and Cultural Studies at Hong Kong Baptist University (HKBU), which hired him under its Talent100 initiative in February 2021. He teaches and conducts interdisciplinary research at the Academy of Film, the Department of Journalism, the Department of Government and International Studies, and the Smart Society Lab.

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Previously, he was a tenured Associate Professor at the National University of Singapore’s (NUS) Lee Kuan Yew School of Public Policy (LKY School). He was Vice Dean of the LKY School during the most rapid and critical years of its growth and served in its senior leadership team for almost a decade. Prior to that, he taught concurrently at the NUS Political Science Department (where he was Assistant Head) and the University Scholars Programme, the university's pioneering and cutting-edge liberal arts programme.

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He has received numerous teaching awards over the years, including NUS's most prestigious Outstanding Educator Award. He was elected Chair of the university's Teaching Academy.

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His books include Movies to Save Our World: Imagining Poverty, Inequality and Environmental Destruction in the 21st Century (Penguin, 2022), Singapore's First Year of COVID-19: Public Health, Immigration, the Neoliberal State, and Authoritarian Populism (Palgrave Macmillan, 2022), 新加坡模式:城邦國家建構簡史 (季風帶文化,2020), Singapore: Identity, Brand, Power (Cambridge University Press, 2018), Governing Global-City Singapore: Legacies and Futures After Lee Kuan Yew (Routledge, 2017), Cinema and Television in Singapore: Resistance in One Dimension (Brill, 2008), and Renaissance Singapore? Economy, Culture, and Politics (NUS Press, 2007).

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He is currently working on three books: (1) Decadent Technocracy: Imagining the Rise and Fall of Neoliberal Global-City Singapore; (2) Sex, Drugs, and Rock & Roll: Vice Regulation and Public Morality in Singapore; and (3) Asia and the (New) Cold War(s): Migration, Identities, Lived Experience, and Ideological Struggle (contract with Palgrave Macmillan).

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He has also published numerous articles in leading international journals, reflecting an innovative and interdisciplinary research agenda that bridges Political Science, Public Management, Policy Studies, Sociology, Urban Studies, Cultural Studies, and Film and Media Studies.

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He has held visiting fellowships and honorary professorships at the Australian National University, Chinese University of Hong Kong, Georgetown University (on a Fulbright Fellowship), Harvard University, Sciences Po, the University of Duisburg-Essen, and the University of Hong Kong. In 1995, he received the prestigious Lee Kuan Yew Postgraduate Scholarship to do a PhD in Social and Political Sciences at the University of Cambridge, which he completed in 2000. In 1994, he obtained a First Class Honours degree in the Joint School of Economics and Politics at the University of Bristol on a Public Service Commission Overseas Merit (Open) Scholarship.

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He is a member of the National Arts Council (Singapore)’s Arts Advisory Panel and the National Museum of Singapore’s Advisory Board. He was the founding chair of the Asian Film Archive’s Board of Directors and the chair of the Board of Directors of theatre company The Necessary Stage (Singapore).

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He is a trained musician and an enthusiastic marathon runner. He is married to Clara Lim-Tan, Director (Arts Education) at the Ministry of Education (Singapore).